Posts Tagged "IDW"

"Good morning. Good morning. In less than an hour, aircraft from here will join others from around the world, and you will be launching the largest aerial battle in the history of mankind. Mankind, that word should have new meaning for all of us today. We can’t be consumed by our petty differences any more. We will be united in our common interest. Perhaps it’s fate that today is Wednesday, and you will once again be fighting for our freedom. Not from tyranny, oppression, or persecution, but from annihilation. We’re fighting for our right to live, to exist, and should we win the day, Wednesday will no longer be known as just a day of the week, but as the day when the world declared in one voice, ‘We will not go quietly into the night! We will not vanish without a fight! We’re going to live on, we’re going to survive.’ Today we celebrate NEW COMIC BOOK DAY!

…sorry about that. 

The new comics are in the store!

A comiXologist Recommends:
Michael Crowe recommends Haunted Horror #13

Hello Boos and Ghouls. With Halloween right around the corner, now is the perfect time to pick up IDW’s Haunted Horror #13. This book collects eight spine tingling stories resurrected from the golden age of comic books. These classic stories are a scream, sure to keep you up all night. They’ve been lovingly reprinted from various horror anthologies that populated newsstands in the 1950s. Originally printed in magazines with colorful names such as BEWARE, WORLDS OF FEAR, and WEIRD TERROR, these are the tales that menaced pure hearted parents around the country. Their shocking stories and imagery would contribute to the demonization of comics as an entire medium and the eventual establishment of the comic’s code of authority. Although such a reaction was overkill, one has to admit that these books are anything but tame. Magic, murder and death permeate every page, all with a tongue in cheek vibe and a campy feeling unique to the era. Even the weakest stories, plot wise, reach new heights thanks to the pre-code horror fiendishly illustrated by various unsung artists working for the dime a dozen horror comic publishers. 

But now, with the code abolished and comics on top of the world, these stories are finding a new life. Each book in this series is jam packed with the best and rarest stories IDW could dig up. So, be sure to sink your teeth into this little book of nightmares.

Sweet Dreams.

[Read Haunted Horror #13 on comiXology]

Michael “Edgar Allan” Crowe is a digital assets specialist, writer, warlock, and full time horror fan.

A comiXologist Recommends:
Mike Isenberg recommends Monster & Madman 

Jack the Ripper was in the headlines again last week, with claims surfacing of new DNA evidence pinning the 1888 London murder spree on Polish barber Aaron Kosminski.  Writer Steve Niles (arcaneimages) and artist Damien Worm, however, have another theory.

Monster & Madman tells the tale of Frankenstein’s monster, following the events of Mary Shelley’s classic novel.  Rather than burn himself to death on Victor Frankenstein’s funeral pyre, as he told the novel’s narrator he would, the monster decides to continue his life—as wretched as it is—and finds passage from the Arctic on a ship bound for Norway.

The monster eventually makes his way to London in 1888, just as a string of grisly murders is beginning to terrify the populace.  There he strikes a deal with mortician John Moore; if the monster allows Moore to examine him and discover the secrets of Victor Frankenstein’s work, Moore will grant the monster what Victor denied him: the creation of a companion to ease his loneliness.

Of course, Moore has his own secrets and motives, and his source for female body parts may not be the generous local hospital as he claims.

Steve Niles’ writing is in turns eerie and melancholy, matching Shelley’s original text in terms of both writing style as well as his characterization of the monster.

What makes Monster & Madman really shine, however, is definitely Damien Worm’s gorgeously grotesque artwork.  Worm’s moody collages of ink, paint, and newspaper clippings set a perfect tone for this creepy tale, and work wonderfully in letting the viewer see the world through the monster’s borrowed, reanimated eyes.

For fans of the Shelley’s classic novel, or of dark and moody horror in general, Monster & Madman is highly recommended.

[Read Monster & Madman on comiXology]

Mike Isenberg is an Associate Production Coordinator at comiXology, and the co-writer of First Law Of Mad Science.  He lives in Harlem with his cats, Tesla and Edison

New DRM-free Publishers at ComiXology

ComiXology Announces Second Wave of DRM-Free Publishers

image

New participating publishers include
IDW Publishing, Valiant Entertainment, Oni Press, Fantagraphics Books and more

September 17th, 2014 – New York, NY – Today comiXology, the revolutionary cloud-based digital comics platform, unveiled the latest group of publishers offering DRM-free backups, allowing comiXology customers to download and store copies of their books. ComiXology’s new DRM-free backup feature was announced this past July during Comic-Con International.

The second wave of participating publishers include IDW Publishing, Valiant Entertainment, Oni Press, Fantagraphics Books, Aspen Comics, Action Lab Entertainment, Th3rd World Studios, A Wave Blue World, Blind Ferret Entertainment, Caliber Comics, Creative Impulse Entertainment, Devil’s Due Entertainment, GT Labs Comics and Kingstone Media. They join Image Comics, Dynamite Entertainment, Zenescope Entertainment, MonkeyBrain Comics, Thrillbent, and Top Shelf Productions in offering this new option to customer. Creators using comiXology Submit also have the option to offer their comics, graphic novels, and manga as DRM-free backups.

“After the wildly successful launch during Comic-Con International we’re thrilled to offer our customers an even greater selection with this next wave of publishers offering DRM-free backups,” said comiXology VP of Communications & Marketing Chip Mosher. “We look forward to continuing to work with more publishers in offering DRM-free backups to comics fans worldwide.”

To obtain the DRM-free backups of digital comics on comiXology, customers can go to the “My Books” section of comixology.com on their desktop computers and click the button that appears next to their books. Books and series from the second wave of participating publishers will be available for backup starting today. Backups from participating publishers can be downloaded in high definition PDF and CBZ.

Customers will continue to enjoy all their purchases – whether available as a DRM-free backup or not – on the comiXology platform in comiXology’s exclusive cinematic Guided View reading experience, anytime and anywhere.

With over 50,000 comics and graphic novels from more than 75 publishers, comiXology offers the widest selection of digital comics in the world. ComiXology’s immense catalog and cinematic Guided View reading experience makes it the best digital platform for comic and graphic novel fans worldwide.

Find your favorite comics and graphic novels at www.comixology.com and try the comiXology app available on all major mobile platforms.

A comiXologist Recommends:
Jen Keith recommends Little Nemo: Return to Slumberland #1

Walking long-legged beds and menageries of strange creatures, a face in the moon and candy-made kids! Nemo is back and walking the dreamscape, however reluctantly, in Little Nemo: Return to Slumberland #1.

First published in the New York Herald in 1905, Winsor McCay’s celebrated strip Little Nemo in Slumberland is a classic. It’s been adapted into various media including an animated film in 1989 that, I admit, terrified me as a child. The story follows young Nemo’s fantastic adventures when called into Slumberland by King Morpheus. Here too is where we meet Nemo afresh as he’s commanded to become the playmate of Slumberland’s princess. However, it’s not easy to get to the land of dreams when all of your progress is lost upon falling out of bed.

Locke & Key's artist Gabriel Rodriguez’s (gr-comicsdetailed architecture and stylization remains faithful to McCay’s art nouveau influences with decorative flourishes and nods to the original jaunty layouts. Meanwhile, writer Eric Shanower is a wonderful fit what with his work on Marvel’s Oz books; he’s no stranger to giving a great voice to kids finding themselves in bizarre new lands. This team works well together in bringing their own touch while keeping that quintessential Nemo look and feel. The story is a whimsical ride with surprises around every corner and as unpredictable as our own dreamtime escapades. Its unfettered pacing flows surreally as it never would in waking hours.

While sure to be a hit for all ages and a great jumping off point for new and old fans alike, if you need more journeys into imagination then try Marvel’s Figment.

Don’t wait for bedtime to explore dreamland when you join Nemo on his nightly romps through Slumberland. Happy reading and pleasant dreams!

[Read Little Nemo: Return to Slumberland #1]

Jen Keith is a Digital Editor at comiXology, comic artist, music addict, and could really use a nap herself right about now.