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SUPER CRAZY INCREDIBLE EISNER-EXCITEMENT-INDUCED IMAGE COMICS SALE!

Click here to see for yourself!

Saga #1 - FREE
Saga #2-18 - 99¢ each
Saga vol. 1 - $4.99
Saga vol. 2 - $6.99
Saga vol. 3 - $7.99
Sex Criminals #1-5 - 99¢ each
Rat Queens #1-5 - 99¢ each
Rat Queens vol. 1 - $4.99
Pretty Deadly #1-5 - 99¢ each
Lazarus #1-7 - 99¢ each
Lazarus vol. 1 - $4.99
Nowhere Men #1-6 - 99¢ each
Nowhere Men vol. 1 - $4.99
Manhattan Projects #1-19 - 99¢ each
Manhattan Projects vol. 1 - $5.99
Manhattan Projects vol. 2 - $6.99
Manhattan Projects vol. 3 - $7.99
East of West #1-11 - 99¢ each
East of West vol. 1 - $4.99
East of West vol. 2 - $7.99
Zero #1-6 - 99¢ each
Zero vol. 1 - $4.99

Congrats to imagecomics, mattfractionblog, kellysue, zdarsky, jordiecolorsthings, aleskot, fionastaples, Brian K Vaughan, Jonathan Hickman, ruckawriter, nickdragotta, nickpitarra, prettydeadlycomic, Emma Rios, johnnyrocwell, kurtiswiebe, Michael Lark, Santi Arcas, and anyone else I may have missed!

comixology:

Doop doopdoopdoop doopdoop doopdoopdoop, doop doopdoopdoop doop doop doop doopdoopdoop doop doop doopdoopdoop doop doop! Doopdoop doop doopdoopdoopdoopdoop doop. Doop doopdoopdoop doop doop doop doopdoop! DOOP! DOOOOOOP!
[Doopdoop #Doop doop doopdoop]

Finally the most powerful of the X-Men get’s his own comic! Just doopin around for #LateNightReads tonight.
[Read All-New Doop #1 right here]   High-res

comixology:

Doop doopdoopdoop doopdoop doopdoopdoop, doop doopdoopdoop doop doop doop doopdoopdoop doop doop doopdoopdoop doop doop! Doopdoop doop doopdoopdoopdoopdoop doop. Doop doopdoopdoop doop doop doop doopdoop! DOOP! DOOOOOOP!

[Doopdoop #Doop doop doopdoop]

Finally the most powerful of the X-Men get’s his own comic! Just doopin around for #LateNightReads tonight.

[Read All-New Doop #1 right here]

comicsalliance:

2014 EISNER AWARD NOMINEES ANNOUNCED: IMAGE LEADS, STRONG SHOWINGS FROM DARK HORSE AND VERTIGO
San Diego Comic-Con International 2014 is looming just over the horizon, and that means that it’s almost time for the annual Will Eisner Comic Industry Awards. Today, the nominees were announced, and Image Comics led the pack with 20 nominations across all categories, including four out of five of the nominations for Best Continuing Series, with the remaining spot going to Matt Fraction and David Aja’s Hawkeye at Marvel.
Also interesting to note: While there were several nominations for Vertigo titles like Trillium and The Wake, DC’s “New 52″ line of superhero titles was almost completely shut out, with their only nod coming from Scott Snyder’s nomination for Best Writer.
READ THE WHOLE LIST
  High-res

comicsalliance:

2014 EISNER AWARD NOMINEES ANNOUNCED: IMAGE LEADS, STRONG SHOWINGS FROM DARK HORSE AND VERTIGO

San Diego Comic-Con International 2014 is looming just over the horizon, and that means that it’s almost time for the annual Will Eisner Comic Industry Awards. Today, the nominees were announced, and Image Comics led the pack with 20 nominations across all categories, including four out of five of the nominations for Best Continuing Series, with the remaining spot going to Matt Fraction and David Aja’s Hawkeye at Marvel.

Also interesting to note: While there were several nominations for Vertigo titles like Trillium and The Wake, DC’s “New 52″ line of superhero titles was almost completely shut out, with their only nod coming from Scott Snyder’s nomination for Best Writer.

READ THE WHOLE LIST

(via astrejlau)

jordiecolorsthings:

Hey guys!

So word on the street is - a few people don’t think I’m coloring my own work!

Wow, isn’t that complimentary. I thought it was about time to put this very, very stupid rumor to rest because I’m just so annoyed when sometime tells me to “Just use your assistant.” or “Can your assistant just do this for you since you’re so busy?”

NO. My assistants are not art monkeys and they do not color/render any work with my name on it! They color their OWN work and put THEIR name on it. They are interns learning the process, making money, meeting people and having daily skype calls with me about their own work! (that said, I’m not hiring any new assistants right now and I do not have one at this time)

I color a lot of books. I color a lot of books because I love coloring. I color a lot of books and I don’t sleep a whole lot, or go on vacation, or see my family, or hang out with my boyfriend, or exercise and I pretty much miss just about every film I want to see in the cinema—so please stop saying I’m not coloring my own work.

The biggest problem is what people think a “color assistant” does. This goes for all creative fields where someone adds “I have an inking assistant”, “a penciling assistant”, “an intern”, etc. There seems to be a very popular misunderstanding that an “assistant” is hired just to do the dirty work, all the work and get no credit or money. This is not the case nor should it ever be assumed it is the case.

There are three images here from Deadpool #27.

1.) The flatted file, how it looks when the file comes back to me flatted by another person for a flat fee. This is a staple in the colorist business and without this help colorists would be really stuck for time.

2.) EX-Color Assistant/now colorist extraordinaire Kelly Fitzpatrick goes through the crazy flatted file and adjusts the colors so they are sensible while referencing colors I’ve chosen for costumes in previous issues, plus I give her the script so maybe she can figure out if it’s day or night or if they should be on the moon. This is a VERY helpful step for me, especially, because without this step every single book I have would be a minefield to manage. Having Kelly select costume palettes I’ve used in previous issues is absolutely essential. This is also something plenty of colorists do! Having the FIRST step come back with correct costumes is great but I have to get my files “color corrected”.

3.) I go in and change colors/bring detail into certain elements/fix costume problems and render the page.

This is how assisting works and this is why the work I color is my own work and only my work, end of story. Assistants are so wonderful and helpful but they deserve more than being called “who I farm my work out to”. It’s not just insulting to the artist who hires them AND the assistant who takes the job but it’s also just incorrect.

THE MORE YOU KNOW!

jordiecolorsthings: master of all things color and knowledge-dropping. 

comixology:

Let Them Eat Meat Cake!A gothic gabfest with indie darling Dame Darcyby Claire Donner
The mercurial and ethereal Dame Darcy (damedarcy) is a renowned gallery artist, writer, illustrator, animator, rock musician, clothing designer, and interior decorator to stars such as Margaret Cho and Courtney Love. In spite of this grandiose resume, her artistic career began humbly enough with an indie comic called Meat Cake. When Fantagraphics began publishing this alarming title in 1993, there was nothing truly like it on the market. Its blend of gothic literary stylings, burlesque comedy and punk zine composition made Meat Cake a critical part of the strengthening indie comics scene. 
 In the years since her entry into the indie comics canon, Dame Darcy has contributed to the Women of Marvel series, Image’s Comic Book Tattoo anthology, and Alan Moore’s Tomorrow Stories (perhaps returning the favor for Moore’s earlier guest spot in Meat Cake #9). Alongside these forays into mainstream fame, fine art and fashion, Meat Cake is fondly remembered and still going strong.
[Read Meat Cake #1 FREE for a limited time on comiXology] 
ComiXology: Which books inspired you to create something so unusual?
Dame Darcy: I read Love and Rockets when I was in High School it was my favorite. I liked how the Hernandez brothers portrayed life as a girl in such a real way, represented us in such a fair way. It was a dream come true to be published by Fantagraphics a few years later. I also loved a goth magazine called Propaganda and ordered fashion from it. Later, when I toured with (punk zine pioneer) Lisa Suckdog, after the insane rock operas, she would sell her zine and I my comic book. I also did comics for her zine, too.
 Growing up in a bohemian household exposed me to art books and styles at an early age. We also lived in a 1902 craftsman only furnished with antiques, and had a lot of books and artifacts from that era, so for me the 1980s and the 1880s blended and I didn’t quite understand that books from 100 years ago were not contemporary.
For instance, I was obsessed with the OZ book series that my Grandma had many of the original editions of…I was inspired to create my own world. The land of OZ was a utopia ruled by a little girl, Ozma, and it had a very dark side: a walking talking voodoo doll…a lady who kept hundreds of heads on stands like other women would do with wigs…a suffragette valkyrie army of flying ladies with giant sewing needles for swords and buttons for shields. When I describe the OZ book series like this, and how I lived in that world for years growing up as a child, it is no surprise Meat Cake is the way it is. 
Read More

Meat Cake #1 (still free!) for some strange strange #LateNightReads…

comixology:

Let Them Eat Meat Cake!
A gothic gabfest with indie darling Dame Darcy
by Claire Donner

The mercurial and ethereal Dame Darcy (damedarcy) is a renowned gallery artist, writer, illustrator, animator, rock musician, clothing designer, and interior decorator to stars such as Margaret Cho and Courtney Love. In spite of this grandiose resume, her artistic career began humbly enough with an indie comic called Meat Cake. When Fantagraphics began publishing this alarming title in 1993, there was nothing truly like it on the market. Its blend of gothic literary stylings, burlesque comedy and punk zine composition made Meat Cake a critical part of the strengthening indie comics scene.

 In the years since her entry into the indie comics canon, Dame Darcy has contributed to the Women of Marvel series, Image’s Comic Book Tattoo anthology, and Alan Moore’s Tomorrow Stories (perhaps returning the favor for Moore’s earlier guest spot in Meat Cake #9). Alongside these forays into mainstream fame, fine art and fashion, Meat Cake is fondly remembered and still going strong.

[Read Meat Cake #1 FREE for a limited time on comiXology

ComiXology: Which books inspired you to create something so unusual?

Dame Darcy: I read Love and Rockets when I was in High School it was my favorite. I liked how the Hernandez brothers portrayed life as a girl in such a real way, represented us in such a fair way. It was a dream come true to be published by Fantagraphics a few years later. I also loved a goth magazine called Propaganda and ordered fashion from it. Later, when I toured with (punk zine pioneer) Lisa Suckdog, after the insane rock operas, she would sell her zine and I my comic book. I also did comics for her zine, too.

 Growing up in a bohemian household exposed me to art books and styles at an early age. We also lived in a 1902 craftsman only furnished with antiques, and had a lot of books and artifacts from that era, so for me the 1980s and the 1880s blended and I didn’t quite understand that books from 100 years ago were not contemporary.

For instance, I was obsessed with the OZ book series that my Grandma had many of the original editions of…I was inspired to create my own world. The land of OZ was a utopia ruled by a little girl, Ozma, and it had a very dark side: a walking talking voodoo doll…a lady who kept hundreds of heads on stands like other women would do with wigs…a suffragette valkyrie army of flying ladies with giant sewing needles for swords and buttons for shields. When I describe the OZ book series like this, and how I lived in that world for years growing up as a child, it is no surprise Meat Cake is the way it is.

Read More

Meat Cake #1 (still free!) for some strange strange #LateNightReads

Dick Grayson Not Dying; Gets New Comic in July

dcwomenkickingass:

For months readers have worried that Dick Grayson might be the latest Robin to die in comics. The signs were certainly there. He was tortured and had his identity revealed in Forever Evil. And then they cancelled his comic, Nightwing. 

But rest assure Dick lovers, Mr. Grayson is staying in comics

image

According to USA Today, he is getting a new job - spy with the CIA like organization Spyral  and a new costume:

At the very least, he is getting a wardrobe makeover, courtesy of Grayson artist Mikel Janin: Gone is Grayson’s mask, and his new outfit reflects the blue-and-black color scheme of his Nightwing togs and features a “G” on his chest, reminiscent of the old “R” from his Robin days.

Tim Seeley and Tom King are joining Janin on the book.

Are you excited?